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A Bit About Me

Years of Experience and Proven Results

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In 2017, I turned my passion and educational pursuits into a profession when JMR Literary Services made its debut in the online community. Since then, I've seen authors find their publishing homes, receive awards for their work, and have even been witness to my own humble successes. 
A summa cum laude English graduate with an abiding love for books of all genres, I've accepted the fact that my destiny lies within the world of literature—whether that be in the background as a ghostwriter and editor or in the spotlight as an author in my own right.
The written word is sacred, a lasting legacy that we can leave for future generations. If you have a story, tell it. You never know what may come of sharing your imagination and experiences with the world.

Desk with Book

Featured Authors

Novels and Reviews

Little Maryam

By: Hamid Baig

Editorial Client

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In it's third printing!

Rise: Birth of a Revolution

By Mark S Moore

Editorial Client

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Stand: The Cost of War

5 star Amazon reviews!

Sky Ranch

By: J.M. Reade

Author

Debut Novel

Look for it this fall!

Tales from the Cliff

Anthology

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WayWords

A Literary Journal

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Short story contributions by Jessica Morris-Reade

What Readers are Saying

JMR Editorial Collaborations

Rise: Birth of a Revolution

Mark S. Moore

"Worth every second spent reading the book, and looking forward to more."

"I enjoyed the dialogue quite a bit and found the personalities are well developed. The action is plentiful without being overwhelming. The scene setting is well done, just enough to avoid getting in the way. The characters are gorgeous, so real and full of life."

Little Maryam

By: Hamid Baig

"A deftly crafted and simply riveting novel from cover to cover, "Little Maryam" reveals and showcases author Hamid Baig's impressive and genuine flair for narrative-driven storytelling of the first order. A thoroughly entertaining and memorable read, "Little Maryam" is an unreservedly recommended addition to community library Contemporary General Fiction collections."
Midwest Book Review

Sky Ranch

By: J.M. Reade

"Compelling and unique, this story will keep you enthralled from the first page onward. Highly recommended!"

Tales from the Cliff

Short story anthology contribution by Jessica Morris-Reade

"True to its name, the stories included in this anthology leave you on the edge of your seat."

Writing Samples

Excerpts

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Published Short Story Excerpt

“Run, Kolby! Run!”

            “I am running! You are the one who should get a move on, old chap. Those Daschund legs of yours combined with that obscene belly you tote around—”

            “Can we discuss my weight at a later time? I’m a little preoccupied with running for my life right now.” Oliver Dartworth ducked as a bullet whined over his head. His breath came in short gasps, ruffling through his thick moustache and sounding much like a train laboring up a hill.

            Henry Kolby leapt over a wooden crate, one of the many that littered the floor of the Royal Observatory and cursed. As the corner of the crate disintegrated from the impact of a bullet, Henry cursed again. “Running for your life? Murphy’s men are the worst shots I have ever seen in my life. We could be standing still and they wouldn’t hit us.”

            As if to punctuate his words, Henry cried out as a bullet struck him in the meaty part of his upper arm, spinning him around. His cry echoed and reverberated off the walls and up into the domed ceiling of the observatory.

            “Kolby!” Oliver skidded to a stop.

            “Go on without me, Dartworth. I’ll be right behind you.” Henry crouched down, his body hunched protectively over his wounded arm.

            “Damned if I will. How bad is it?” The words barely left Oliver’s mouth when he felt his left leg convulse as if it had been yanked backwards by an unseen hand. He fell, his single leg unable to hold his weight. 

            Henry waddled a few steps toward Oliver, keeping his head ducked low against the deadly projectiles whizzing by.

            “Look what you’ve done now, Dartworth. I told you to—”

            “How many times do I have to remind you that you are not my superior and therefore cannot order me about?” Oliver grimaced as a fresh wave of pain coursed through his injured leg. “I wish I was in the bookshop right now.”

            “You’d bleed all over my painstakingly procured books, Dartworth.” Henry reached out with his good hand and pressed it to Oliver’s wound. Warm blood pulsed gently against Henry’s palm. “It seems as though the bullet may have pierced an artery.” 

When he heard the sound of running footsteps, Henry knew Murphy’s men were closing in and he glanced around half-heartedly. The only obstruction was the huge telescope that dominated the center of the observatory, and he couldn’t hide behind that. The seats of the observatory had been gathered and pushed to one side of the immense brick building and the crates that dotted the tiled floor like sheep on a field were too low to provide cover. There was nowhere to hide.

Notebook and Pen

Frequently Asked Questions

Answers to All Your Questions

How do you charge for your editing services?

The fees for my editing and proofreading services are calculated on a per-word basis. $0.015 per word for proofreading and $0.020 (base fee) for editing.

What do you mean by "base fee" when it comes to editing a full-length manuscript?

Some manuscripts are carefully proofed  and formatted by the author before they are sent to me; these are manuscripts that would fall under the base fee of $0.020 per word.
Other manuscripts aren't formatted properly, haven't been spell-checked by the author, and are riddled with fragmented sentences and other errors. These authors may be charged more for my services as the work put into them will be substantially more in-depth.

What is the difference between editing and proofreading?

An edit encompasses voice, theme, plot, character arcs, and other narrative elements, as well as grammar and syntax.
Proofreading covers only the grammar and syntax revision of a manuscript.

How does ghostwriting work? Do you get any credit for doing the actual writing?

The story and plot are the domain of the author—you. I am simply the writer, I put your ideas into words.
I get no credit, nor does my name appear anywhere on your published novel. This aspect of ghostwriting is what makes it a rather expensive endeavor. Imagine that your ghostwritten novel makes the NY Times bestseller list and eventually gets turned into an HBO series. You get all of the earnings, royalties, and credit, while the ghostwriter only gets the agreed-upon fee for writing the book.

Why do you edit manuscripts twice?

The first edit is returned to the author so that the author can accept or refuse advised edits or revisions. The second edit is to incorporate what revisions the author has accepted or refused and produce a error-free, clean final draft.

The novel that I hired you to ghostwrite wasn't picked up by a publisher. Can I get my money back?

No. Unfortunately, I cannot offer refunds. But, if traditional publishers opt to not publish your novel, self-publishing is always an option!

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